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Studio Ghibli movies were and still are either impossible to find or very expensive to purchase. That is no longer the case. Because of a partnership with Netflix, all except one of the studio’s movies are now available on the streaming site – as long as you’re not in North America. We’ve compiled a list of the best Ghibli movies to pique your thirst for the creation of imaginative director Hayao Miyazaki as well as many others. These are all the best movies to watch when you’re taking a break from going through Vietnam forex brokers reviews.


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  • The Cat Returns

The reality that it is still considered one of the best Ghibli movies demonstrates the quality of their work. The Cat Returns is a remarkable Ghibli film that is a spin-off of a prior Ghibli film, notably Whisper of the Heart, and focuses on a secondary character from that movie. Hiroyuki Morita isn’t Miyazaki or Yoshifumi Kondo, yet he still manages to weave a gripping storey with a more fanciful plot than other Ghibli films. It’s entertaining but ultimately forgettable. If you like cats, you should definitely check out this movie.


  • My Neighbours The Yamadas

Takahata had been Ghibli’s most daring filmmaker, as this one-of-a-kind film demonstrates. It’s a serialised piece focused on a famous Japanese comic book that switches narrative over for a string of humorous anecdotes on family relationships, and it’s noticeably different from the standard Ghibli anime style – more similar in nature to his subsequent Tale Of The Princess Kaguya. It’s funny, amusing, and beautiful to look at, yet it’s still an oddball.


  • Ponyo

Ponyo on the Sea Cliff was published in 2008. Hayao Miyazaki wrote and directed the fantasy film, which is one of the most popular Studio Ghibli films among families. Ponyo, a goldfish who desires to get to be a person and escapes the water, is the central protagonist. Ponyo is saved by another important character, Sosuke, a 5-year-old child. Ponyo’s father tries to drag her back out to sea, where she can use magic to influence humanity, but she flees with Sosuke.


  • Howl’s Moving Castle

Howl’s Moving Castle is Miyazaki’s most explicitly anti-war picture, based on a classic novel. A youthful milliner is cursed by a sorceress and transformed into an elderly woman, set against a backdrop of a fruitless war conducted utilising 20th-century technologies and sorcery. In pursuit of a remedy, she travels to the rural, where she comes across the namesake castle as well as its master, a difficult wizard named Howl. It has Ghibli’s trademark mix of endearing personalities and lavish animation, but it’s also one of Miyazaki’s darkest films, with scenes of vast swaths of aeroplanes dropping bombs on helpless populations.


  • Only Yesterday

Everyone’s life comes to a point where they realise things didn’t turn out the way they expected as children, therefore Takahata had to produce a movie about it. On a train voyage to the countryside, a woman reflects upon her memories of childhood in Only Yesterday. The film examines social class, the status of women in the Japanese culture, urbanisation, the generational divide, and the question of whether you dishonour your previous self by not pursuing all of your childhood goals. Despite being Ghibli’s most low-key film, it still has a compelling storey, one that seems like just the kind of indie drama that would sweep every award at a film festival.


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